Showing posts with label British Museum. Show all posts
Showing posts with label British Museum. Show all posts

Saturday, October 12, 2013

Assassin Creed in Ancient Egypt, Ancient Greek Portico, Cartography, Sidon, and El Dorado

Assassin's Creed Goes to Ancient Egypt?

The Assassin Creed franchise is famous for their ability to recreate era and cities with perfect precision. The storyline allows the characters to travel anyways accessing the memories of their ancestors through their DNA. So, Classical Athens, Mongolia, Japan, Atzecs and so on are all possible places and civilizations that could be reconstructed and added the ASC's worlds.  The director of series admits that he has a fascination with Ancient Egypt. Read more of his fascination here.

Ancient Greek Strip Mall
Portico of the ancient city of Argilos

A 2,500 year old portico has been discovered along the Aegean Sea. A portico is a type of outside market place or swap-meet in which vendors have storerooms to keep their items. In this particular find, there were coins, vases, shattered pottery found. Read more on the amazing find.

Modern and Ancient Maps



Google Maps are one the most popular sources in order to navigate you way from one point to another. This is extremely comparable to the ancient maps from antiquity. Read a news article here.



Sifting Through Bloody History at Sidon

An article on the archaeological findings of Sidon and its history.

El Dorado: Columbia's Ancient Roots

Calima-Malagana funerary mask, 10BC-400

Next Thursday, the British Museum will open its exhibition, Beyond El Dorado: power and gold in ancient Colombia. The resurgence of popularity of this myth have led to many transaction with the Columbian government. Columbia has had various issues with cocaine, cocoa beans and other exports. Please read more on Columbia's current situation and how El Dorado myth impacts it.


Monday, August 26, 2013

Lycurgus Cup: Ancient Roman Nanotechnology Aiding the Worlds of Tomorrow


 
 
Lycurgus Cup 4th Century CE
Images Courtesy of the British Museum
The Lycurgus Cup is a Roman glass cage cup, or diatretum, made of dichroic glass. This means that the properties of the glass allow it to change color depending from which angle light is shown through. If lit from behind the glass turns red and green if lit from the front.  The cup depicts the ancient Greek myth of the Thracian King Lycurgus. Lycurgus was fated a horrible death by Dionysus who cursed him for banning his religion and imprisoning his followers. There are several variation of this myth, but the reference seen on the cup ( Lycurgus trapped in wine vines) is not common variation. However, there is a satyr and a figure believed to be Dionysus (due to panther [Dionysus' patron animal] and the thyrsus [a staff with a pine cone tip carried by his followers]) who are expressing angry gestures.

The Lycurgus Cup is a rare item from history, whose use is still unknown and highly speculated. It has been thought to have been used in the rites of Bacchus (Dionysus Roman counterpart). However, this can not be proved. Coincidentally, the Historia Augusta records the gift of two dichroic cups from Emperor Hadrian to his brother-in-law Servianus via a letter. Perhaps, this may have been one of them.

The British Museum acquired the cup in 1950's, but it wasn't until the 1990's that they understood its properties. Researchers analyzed broken fragments of the cup until they discovered that the Romans were nanotechnology pioneers. The glass effect of the Lycurgus Cups was achieved by making the glass with minutely ground gold and silver dust. The size of these particles of silver and gold are only about 50 nanometers across (less than one-thousandth the size of a grain of table salt) and required a transmission electron microscope to be seen. Thus, it is highly impossible that Roman artists made these minute silver-gold alloy dust particles for this size of cup; therefore, these particles must have been added in large quantities to even large amounts of glass-melts. Thus, there may have been other dichroic glass items made from the same glass-melt as the Lycurgus Cup.

The color changing ability of the glass is due the size of metal flecks and how their electrons vibrate that alters the color. Gang Logan Liu, an engineer at the University of Illinois, conjectured that when various liquids filled the cup it would change the vibration of the electron and thus the color. Thus, he argued that the Lycurgus Cup's phenomenon was very similar to a home pregnancy test, which uses a nano-based technology to turn a white line pink at the presence of HCG in urine. So, researchers began to formulate an experiment to test this hypothesis.


Due to the fact that the Lycurgus Cup is a prized and unique artifact, researcher were unable to fill the cup itself. However, they created billions of wells (about the size of postage stamp) and sprayed them with a gold and silver nanoparticles. Thus, they created essential tiny version of the Lycurgus Cup. Then, they continued with experiment by filling these wells with different types of liquids. The result was as predicted and the colors ranged from light green for water to red for oil. This "well" prototype was 100 times more sensitive to the differing salt levels of tested liquids than current sensor used for similar testing.

Liu was hopefully to see if the Roman's nanotechnology of gold-silver alloy particles could have current science applications. This experiment proved that one day this technology may make its way to handheld devices for detecting pathogens in salvia or urine.

 

 

 

Sunday, August 25, 2013

The Lovers' Coin: Antony and Cleopatra


The Lovers' Coin: A Rare Discovery of a Mark Antony and Cleopatra Bronze Coin

Antony and Cleopatra by Lawerence Alma- Tadema; Courtesy of WikiCommons


The story of Marc Antony and Cleopatra is a love story of seduction, exotic locations, love-triangles, family, politics, war, and suicide. More importantly, their love affair was connected to the rise and fall of the Roman and Egyptian empire. It is easy to see how their love affair is intriguing tale for centuries worth of audiences from Plutarch's portrayal to Elizabeth Taylor's role to HBO's Rome Series. While there are countless of images produce of their romantic and tragic life; there something extraordinary in contemporary pieces that show both couples.

A recent archaeological discover in Tel Bethsaida (Northern coast of the Sea of Galilee) yielded a coin with the images of these notorious lovers. 




The Cleopatra and Antony side of the coin. Hanan Shafir. Courtesy of the Bethsaida Excavations Project

 

This coin found in Tel Bethsaida was actually minted in the port of Akko (known today as Acre). The coin is made of bronze, is approximately the size of a quarter (21-23 millimeters in diameter). It was minted in the last half of 35BCE and/or the first half of 34BCE. [1]

  

An side image of the Cleopatra side with a parallel image of the Greek letters outlined.


Cleopatra's side of the coin, it is somewhat unclear in the photo above, but one can see the Greek word: ΠΤΟΛΕΜΙδΣ .[2] This is the genitive form of the noun Ptolemais which means: "of the people of Ptolemais.[3]" Ptolemais is the name for ancient Akko, which was founded by Ptomlemy II Philadelphus in the 3rd century BCE.


"The cities of the ancient Middle East had a habit of minting coins bearing the portraits of whoever was in power," says Dr. Ariel, head of Israel Antiquities Authority Coin Department.[4] In 35 BCE, Antony's recent victory over the Parthians(Northeast Iran and Armenia), and his bestowing Armenia to Cleopatra's sons and Cyprus to her daughter may indicate why the ancient Middle East considered him powerful.[5]

Dating the coin was an interesting journey. Dr. Arav of the Bethsaida Excavations Project said the dating system was difficult to find. He continued to explain to me through our email conversations: On the Cleopatra side of the coin, there is a small I (iota) and E (epsilon). The Greek alphabet goes as follows : A=1, B=2, Γ=3, Δ=4, and so on. Thus, I and E in their numbering system are 10 and 5 respectively. Therefore, the I and E means 15.

However, what does the 15 mean? Dr. Arav explained that book research was essential in the following discovery: The people of Ptolemais valued greatly the event of Julius Caesar visiting the area to rid their waters of pirates. This event happened in 49BCE, the people of Ptolemais therefore used their dating system in reference to 49BCE. Thus, 49BCE being the starting date, 15 years later would be 35-34 BCE.


Dr. Ariel said, "Coins with the portraits of Antony and Cleopatra are extremely rare. Only six have been found anywhere in the world.[6]" However according to the ancient numismatic reference site Wildwinds.com, there have been more than six discoveries of Antony and Cleopatra coins.[7] Though, it would stand that only six of the eight coins are in good condition. This coin would make the seventh. However, it has to be asked if the ancient Middle East considered Antony and Cleopatra powerful in 35 BCE (and perhaps other years as well); why are there not more of these "lovers' coin?"

The Battle of Actium 2, September 31BC by Lorenzo A. Castro
Courtesy of Wikicommons

However, it is not difficult to hypothesize that Augustus Caesar may have had them collected and destroyed after his victory at Actium. Augustus after all did destroy Antony's portraits after his death, but for some reason allowed Cleopatra's statues to remain in Caesar's Temple to Venus Genetrix.[8] Perhaps, Augustus admired Cleopatra that as a foreigner her ambition, cunning, and wit were understandable However, his unforgiving attitude towards Antony may have had to do with his sister Octavia. Antony's affair with Cleopatra was at the expense of Augustus's sister and Antony's wife Octavia and their children. Cleopatra as a foreigner was understood to be less than a respectable being, but as a Roman male citizen Antony's actions were inexcusable.


Silver denarius of Cleopatra VII and Mark Antony , 30's BCE. Courtesy of the British Museum
It is these rare coins which provide a look into Antony's and Cleopatra's policy of their portrayal, features, and idealized form. It is uncertain whether they wish to emulate a certain presence, as is suggested by the British Museum," Antony was said to remind people of the Greek hero Herakles in paintings and sculptures, with '... a very good and noble appearance; his beard was not unsightly, his forehead broad, and his nose aquiline' (Plutarch, Life of Antony, 4). However, here his portrait seems to have picked up Ptolemaic features, specifically the strong projecting chin of Ptolemy I, the founder of Cleopatra's dynasty, and the hooked noses of Cleopatra and her father Ptolemy XII.[9]"

Thus, this infamous couple continues to engage, fill, and plague our minds. Though, they are long dead and their story known by most; they continue to be the topic of much discussion, debate, and obsession.

~~~~~~~~~~~~~~~~~~~~~~~~~

Main Sources & Contributors:

Private Correspondence with Dr. Arav

The ancient coin of Cleopatra: There could have been pyramids in Paris

By Miriam Feinberg Vamosh | Aug. 4, 2013 |http://www.haaretz.com/archaeology/.premium-1.539712

 1. Israel Antiquities Authority Coin Department

2. The Bethsaida Excavations Project

Secondary Sources & Contributors:

British Museum: http://www.britishmuseum.org/explore/online_tours/egypt/cleopatra_history_to_myth/denarius_of_cleopatra__antony.aspx

 
Liddell and Scott, Greek-English Lexicon,Oxford University Press, 1996

 
The Cambridge Companion to the Age of Augustus/edited by Karl Galinsky.Cambridge University Press, 2005

 Plutarch, Life of Antony, Cambridge University Press, 1988.




[1] Vamosh, "The ancient coin of Cleopatra: There could have been pyramids in Paris" |http://www.haaretz.com/archaeology/.premium-1.539712
 
[2] My own translation and identification of text in red.
[3] Liddell & Scott, Greek- English Lexicon, Oxford University Press, 1996
[4] Vamosh
[5] Plutarch Life of Antony, Cambridge University Press, 1988. Chapter 54
[6] Vamosh
[7] http://www.wildwinds.com/coins/sear5/s1515.html
[8] The Cambridge Companion to the Age of Augustus/edited by Karl Galinsky.Cambridge University Press, 2005
 
[9] British Museum: http://www.britishmuseum.org/explore/online_tours/egypt/cleopatra_history_to_myth/denarius_of_cleopatra__antony.aspx
 

Wednesday, June 19, 2013

Making 2,000 Year Old Bread



In AD 79, a baker put his loaf of bread (or panis) into the oven. Nearly 2,000 years later it was found during excavations in Herculaneum. The British Museum asked Giorgio Locatelli to recreate the recipe as part of his culinary investigations for 'Pompeii Live from the British Museum'.

Video: Making 2,000 Year Old Bread

Ingredients

400g biga acida (sourdough)
12g yeast
18g gluten
24g salt
532g water
405g spelt flour
405g wholemeal flour
Carbonised loaf of bread, AD 79, Roman, Herculaneum. © Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei

Method

Melt the yeast into the water and add it into the biga. Mix and sieve the flours together with the gluten and add to the water mix. Mix for two minutes, add the salt and keep mixing for another three minutes. Make a round shape with it and leave to rest for one hour. Put some string around it to keep its shape during cooking. Make some cuts on top before cooking to help the bread rise in the oven and cook for 30–45 minutes at 200 degrees.